Pauline dreyfus

Pauline Dreyfus's "Un pont sur la Seine" (2025), beginning with the catastrophe of a ferry accident in 1828, unfolds the story, spanning generations, of two village communities separated by the Seine, whose fates are intertwined in the construction, destruction, and reconstruction of a bridge. Through the Vernet family and its genealogical branches, the novel traces the transformation from an agrarian milieu to an industrial society and onward into a post-industrial culture of memory, with historical turning points—wars, the Popular Front, occupation, deindustrialization—inscribed as structuring forces in the lives of its characters. At the same time, the narrative insists on its own artificiality: characters appear less as psychologically singular individuals than as typified bearers of social positions, whose conflicts—for example, between a vintner and a factory worker, a Resistance heiress and a politician of memory—make the persistence of societal divisions visible. The essay explores how the central poetic principle of the novel lies in the multidimensional construction of the bridge: as a historical object, a topographical axis, a social diagnostic tool, and a philosophical metaphor that, in the sense of a self-reflexive poetics of history, does not foster reconciliation but rather produces and makes visible difference. In this dialectic of documentation and fiction, of historical accuracy and ironic distance, Dreyfus's text proves to be both a conscious continuation and a critical break with the tradition of the historical social novel: he demonstrates that the grand narratives of progress and connection fail in the face of micro-social realities and that every form of historical narrative—in the novel as well as in the museum project he conceived—must necessarily reflect on its own logic of construction.